Mo and the Red Ribbon
A large-scale performance for the whole family
First presented as a moving procession through the city,
then as a stationary performance on a vast esplanade.
The performance tells the story of a child separated from his family, and his imagined journey toward a new life.
Mo is curled up, withdrawn into himself. We hear the sound of waves coming and going. He holds a worn gift box tightly in his arms. He sleeps. He dreams of laughter, of familiar voices, of his birthday celebration, of his present — then an explosion, screams, panic. People take him away. Absence.
The young boy wakes up alone. He is wearing a life jacket. There is nothing around him anymore — nothing but his package. But the gift slips away, unfurling a long red ribbon. The child runs after it, and so begins a quest through the city.
We imagined a joyful, childlike, playful, sensitive and poetic performance. The ribbon first wraps around the gift, then unfolds and transforms. It becomes the central element of animated scenographies that interact with the young boy, with the surrounding spaces, and with the audience. Along the way, the journey is marked by trials — but also by unexpected encounters.
Mo and the Red Ribbon brings into play very large-scale puppets, animated objects, and evolving scenographies. Without words, the story is told through gesture and music, unfolding in movement through streets and squares, through the young boy’s dialogue with the world around him. The performance spaces themselves become the canvas for a graphic and musical puppetry language, created for a very wide audience.
Created in 2019
Duration: 75 minutes
Artistic Director: Benoît Mousserion
Music Composer: Patrick Ingueneau
Video Animation: Julien Dexant & Jeanne Mathieu
Lighting Design and Operation: Mathieu Marquis / Erwan Crehin
Pyrotechnics & SFX Design and Operation: Adrien Toulouse
General Stage Manager: Bérangère Pajaud
Pyrotechnics & SFX Technician: Xavier Woerly
Video Technician: Guillaume Robin / Jean-Sébastien Charrier
Sound Technician: Laurent Savatier
Mo Puppeteers: Anne Marquis, Virginie Dumeix, Maïa Frey, François Martin, Jean-Noël Prosper, Johan Pires, Laurent Boulé
Object Puppeteers: Yorrick Tabuteau, Bérangère Pajaud, Sébastien Guillet, Cédric Lusseau, David Legros / Geoffroy Robert, Emilio Pin, Stéphane Abrioux, Léon Zongo
This is how the world of the wounded child unfolds: faced with death, he preserves a fragment of happiness that allows him to overcome the horror of the moment.
Boris Cyrulnik
There was the photograph of Alan Kurdi, found dead on a beach in Turkey. One might have thought he was sleeping, about to wake up. There was the dismantling of the Calais “Jungle,” and the discovery of many unaccompanied minors. Children.
Around the world, tens of millions of children are currently refugees or displaced. 300,000 of them travel without their families, driven by the hope of greater safety and freedom. They flee Sudan, Eritrea, Myanmar, Syria, Afghanistan, the Central African Republic, Burundi, Ukraine, Gaza… They flee violence, abuse, hunger and disease. They flee death.
There is also the research of Boris Cyrulnik on resilience – the ability to grow anew after trauma.
And there was the birth of my son.
Everything intertwined.
Benoît Mousserion
